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Self-Portrait diamanté-trim midi dress A dazzling diamanté trim and bow embellish the bustier-style neckline of this red midi dress. The Self-Portrait design concealed a built-in bra for support and finished with a dramatic flared skirt. Highlights red crystal embellishment bow detailing sweetheart neck built-in cups bra concealed rear zip fastening spaghetti straps flared mid-length straight hem Composition Outer: Polyester Lining: Polyester The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Dry Clean Only The washing method is subject to the commercial washing standard Wearing The model is 1.78 m wearing size 8 Product IDs FARFETCH ID: 22351899 Brand style ID: RS24030MR

Meryll Rogge Fall 2025: No Wallflowers Here

Plein Sport Scratch logo-patch Sweatshirt Black

PINKO single-breasted wool coat Made in Italy The origin of the goods may vary from batch to batch. Please refer to the actual product. Highlights light beige wool notched lapels front button fastening long sleeves split cuffs two side welt pockets detachable waist belt central rear vent straight hem partial lining Composition Wool The composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed. Washing instructions Read Manufacturer Guidelines The washing method is subject to the commercial washing standard Product IDs FARFETCH ID: 23676199 Brand style ID: 103819Y27P

Meryll Rogge created a collection of crumbling beauty, equally tinged with nostalgia and art. The Belgian designer looked to the works of Gordon Matta-Clark, who would make temporary installations from the walls of soon-to-be-destroyed buildings, as well as the prints of vintage wallpapers from the famous Priem shop in her hometown of Ghent, as inspiration for fall. She reinterpreted those handmade wallpapers as prints for fall, and finished them off with ruffles, pleats, bows and beading; it was if your grandma’s favorite lampshade was reincarnated as ready-to-wear. Mixed with bits of her sport and leisurewear codes she steered clear of retro, and her quirky take on layering and mix of menswear added range. The result was a play on structure versus softness, embellishment vs. austerity, embodied by crisp coats against lacy lingerie, chunky knits with quilted, drop-waisted skirts, shrunken tanks over plaid button downs. Bright colors felt fun and hopeful. You May Also Like Rogge’s tailoring has matured, her cuts are sharper, and here she used bonded wool to create excellent outerwear. It all felt quite romantic yet useful — a standout grass green coat had a variety of pockets that would fit all manner of electronics. The show was set in an abandoned mansion stripped down to the studs, while Rogge brought in benches covered in century-old wallpaper, and served Champagne and croissants. Plus the Belgian brigade of young designers, including Igor Dieryck and Marie Adam-Leenaerdt, turned out to support. The brand is working with a new sales agent this season. “They’re really ready to take us to the next level,” she said. With her smart yet quirky pieces there should be plenty of options. 

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